Little Coches and Thomas and Miss Tombstone are homeless again.
Friday night's storms dumped so much hail that their tarp collapsed as they huddled inside. As we packed up our gear at the conclusion of Saturday's farmers market, Little Coches asked me if I would drive her to Wal-Mart so she could buy a roll of plastic sheeting to repair their shelter. But I'm getting ahead of myself.
I arrived at the market at about 9 a.m. Little Coches was putting the finishing touches on her display. I gave her a printout of the May 20th post. She read the title (Little Coches, Bengal tigers, Bob Hope and Zen Buddhism), then looked at me.
"It's Zen-I Buddhism, not Zen Buddhism," she instructed me. "Zen originally came from India, where it was called Zen-I."
I couldn't find a "Zen-I" reference on the web. Then it hit me. Zenai. I found a solid reference, The Chinese Transformation of Buddhism but couldn't access it.
(During my search I rediscovered an old friend - wabi-sabi.)
Pared down to its barest essence, wabi-sabi is the Japanese art of finding beauty in imperfection and profundity in nature, of accepting the natural cycle of growth, decay, and death. It's simple, slow, and uncluttered-and it reveres authenticity above all. Wabi-sabi is flea markets, not warehouse stores; aged wood, not Pergo; rice paper, not glass. It celebrates cracks and crevices and all the other marks that time, weather, and loving use leave behind. It reminds us that we are all but transient beings on this planet-that our bodies as well as the material world around us are in the process of returning to the dust from which we came. Through wabi-sabi, we learn to embrace liver spots, rust, and frayed edges, and the march of time they represent.
I set up my keyboard a few feet from Little Coches. I hung the monkey sign. I loaded six D-cell batteries. I was ready.

My camera (a 1997 Kodak Digital DC50 Zoom) refused to zoom properly, so I was forced to take this shot from about 15 feet back. When I "developed" it this morning I saw it was out of focus, so I turned it into an "arty" shot.

The boy with the keyboard arrived about a minute before I did. He set up to the left of COAS books so he could plug into the juice. Ha! I didn't care. I had batteries and could play wherever I fancied.
Little Coches rolled a cigarette. My hands were shaking some, probably due to my continuing experiments with Nikola Tesla and the fact that I don't normally play a keyboard unless I'm drinking whiskey, and I only play for my own pleasure - not in a public place where I can make a damn fool of myself. (Caveman sometimes joins in by jumping on the keyboard and hitting a few notes.)
"Little Coches, may I please roll a smoke?"
She hands me the pack.
"It's she nah in Cherokee. That means 'please.'
I repeat it... she nah, she nah, she nah...
"No. Now listen. She nah ah. She nah ah."
I roll a skinny smoke as I repeat aloud. I take her BIC lighter. I inhale. The smoke hits my lungs like a sledgehammer. I double over. I inhale again, but not so much. Hey, this is really good. Tastes really good. I'm just gonna sit here and smoke the whole damn thing.
Which I do, until it burns my fingers. I field strip it.
I AM READY!
I punch the keyboard's power button.
Nothing.
I punch it again. Nothing.
I flip it over, pull off the battery cover, making sure they're inserted properly. They are. I flip it back and punch the power button.
Nothing.
The boy with the keyboard has moved to another part of the market, so I shlep the keyboard and stand over to the empty spot and plug in the AC adaptor. I punch the power button. I AM READY! I select church organ and strike a C chord with my left hand. Oooh, it sounds so good on a Saturday morning... until... what the hell? A Cha-Cha-Cha rhythm stampedes from the speakers, making for a most disquieting musical juxtaposition of latin soul and holy spirit. I jab the "stop" button. Silence. I restart the keyboard, setting everything to factory specs.
I am wearing my monkey sign. "What's the sign for?" someone asked earlier.
"That's the name of my act," I explain. "I'm the Monkey."
"But who's Junebug?"
"Beats me," I reply. "I've never met her, but I think she's watching me."
Again I key in church organ. I set the sound to max. I play with my balls. People are curious, for no one has ever seen a musician play with his balls. I'm just making it all up as I go along, and it sounds pretty good. I close it out.
I key in a Samba rhythm and a breathy sax. I let the rhythm flow unimpeded for a bit, then kind of creep in with the sax. It's sounding okay, I guess, but I'm not really grooving on it, so I bring it down.
I key in Goblins. No rhythm. My two balls are resting on the keyboard's upper registers. I begin to play with my left hand. My right hand jumps in and does its little improv thing, moving crab-like over the keys, calling down the angels. A woman appears out of nowhere (my eyes are glued to the keyboard due to shyness and concentration, although I am quite able to play this way without looking) and places a dollar on the keys.
"Oh no, thank you, ma'am, but I'm playing just for fun."
"It's so beautiful," she says, smiling at me as she withdraws her offering.
I figure I ought to go out on a high note... I've been playing about 30 minutes... so I play upper and lower registers, rolling my balls, caressing them, really, and the music is ethereal and people are looking at my balls and they're thinking, "I never thought about playing a keyboard with my balls. I must give it a try when I get home."
Done. I shlep everything back over to Little Coches, who is packing up her wares. She holds up a doll for me to inspect. I take a picture. It too is out of focus, so I play around with it and I like the way it turned out because it reminds me of the crone or hag, one of Jung's archetypes. (You'll see what I'm talking about when you read The Anima or Animus in the above link.)

So we drive to Wal-Mart and Little Coches comes back to the car and she's pissed off because a roll of plastic is like seventeen dollars and it's recycled plastic for God's sake and recycled is supposed to be cheaper and she's not going to pay seventeen dollars for something that costs maybe a dollar or two to produce.
"I'll buy a bunch of black plastic trash bags and cut the bottoms out and duct-tape them together and that'll do," she says.
I tell her I've got half a box of those black trash bags at my house and we'll just drive on over and she can have them cause I never use them.
Once the bags are loaded, we drive to Save-Mart, where she picks up some groceries. Then I drive her to the TA truckstop where we part ways. I go home and unload all my stuff. I pour a stiff whiskey. It's 3:30 and I'm quite famished because breakfast was at four that morning. I drive over to Dick's Hamburgers and drink a Corona while devouring tortilla chips and hot chile and that's just the appetizer because here comes a huge beef burrito swimming in red chile and there's refried beans and I eat everything in sight and by golly I'm in the sack at 5 in the aftrnoon and I wake up at 2:30 this morning and it takes me a freaking hour to get my camera to communicate with the computer and I take two shots to try to get the camera working properly and it worked cause now 16 pictures are downloading to my hard drive and here's #15 of me doing my best Tesla impersonation. And I've been sitting here since, what? 3 this morning? and my computer clock reads 8:43 a.m. and I'm starving and I need to get out in the sun and I expect this will be the last of my articles about Little Coches and believe me I've left out one helluva lot of stuff about her - stuff you wouldn't believe anyway so let's just say I'm dancing with don juan and leave it at that okay?
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